![]() This paper aims to offer conceptual clarification on the use of the concept of human flourishing with regard to children. The implications of this study are considerable and offer strategies for educators seeking to incorporate science practices in an authentic way that integrates both wonder and outdoor learning. The data indicate that wonder is an authentic and viable route towards the implementation of the science practices within an elementary school setting. Through a qualitative data analysis, four main themes emerged that provide insight into the experiences of the students within the study: joy, community, autonomy, and challenges. ![]() The evidence suggests that students strongly engaged in investigative science practices, and that they also experienced opportunities for sensemaking and critiquing practices. We interviewed twenty students in Grades 3 through 5 who had participated in wonder journaling sessions outdoors that led to an investigative project and presentation. This study considered science practices within a wonder-framed nature study as one possible way for educators to support students as they take on the role of scientists. We conclude that the new framework and questionnaire allow research regarding wonder in education to be extended from mainly theoretical work to empirical research that can also advance educational practice.ĭespite recent reforms concerning how students engage in science, there have been significant challenges for educators seeking to consistently implement science practices within the classroom. Overall, the results suggest that the WEQ has satisfactory psychometric properties. The dimensionality analyses identified two primary dimensions of teaching strategies and confirmed the three-dimensional structure of a school policy for stimulating wonder. Third, using comprehensive psychometric analyses of the data of N = 220 teachers and N = 91 principals from 182 Dutch schools, we investigated the dimensionality, reliability and validity of the WEQ. The WEQ is completed by teachers and principals to quantitatively assess the degree to which primary schools and their teachers provide a wonder-stimulating environment. Second, based on this framework, we developed the multidimensional Wonder-full Education questionnaire (WEQ). First, we present a theoretical framework to identify eight teaching strategies and three school policy dimensions relevant for teachers and schools to stimulate wonder in children. Our study advances the research regarding wonder in education in three different ways. Many recent studies emphasize the fundamental importance of stimulating wonder in education, for example, to increase children’s intrinsic motivation to learn and their emotional engagement with the lesson contents.
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![]() bust of Stig (who had died in September 1997, aged sixty-six) was unveiled in front of. More: Top Gear's #BigStig takes to the road for BBC BritĬomment below to let us know what you think.įor more in-depth and print-only features, showcases and interviews with world-leading brands, don't miss the next issue of Event magazine by subscribing here. To commemorate Stig Anderson's fiftieth birthday in January 1981. "He’s one of television’s most enigmatic figures, so it was a real challenge to capture this fearless but faceless test driver who is adored by fans all over the world." Our new channel will be the exclusive home of brand new Top Gear, the world’s most popular shows."ĭavid Crosswell, lead sculptor on the project, added: "We took The Stig’s famous crossed arms pose as a starting point for creating the giant sculpture - but we also watched hours of Top Gear to capture his characteristics. Tim Davie, chief executive of BBC Worldwide and director of BBC Global, said: "The giant Stig erected in Warsaw is a fitting way to launch our new global brand BBC Brit. The statue travelled from Top Gear's UK HQ through Amsterdam and Berlin to arrive in Poland for the big unveil. Made of fibreglass, Big Stig is equivalent in size to two London double-decker buses, and took a team of three sculptors more than two months to design, contruct and paint. It was placed adjacent to the Palace of Science and Culture in the centre of Warsaw.Īgency Taylor Herring created the ten-metre-high statue to celebrate new TV channel BBC Brit, which launches in Poland on 1 February. ![]() Should be worth a look, BBC2, 8.00 pm tonight, UK time. The 24ft (10 metres) high statue has been positioned adjacent. Nobody knows his identity, until tonight, as he will be exposed uk. A giant statue of Top Gear driver The Stig has been unveiled in Poland to celebrate the launch of new BBC Worldwide channel, BBC Brit. Big Stig was unveiled by its namesake in front of local dignitaries and Top Gear fans. According to the statements, the name of The Stig is Ben Collins, a 35 year old soap box derby champion from Bristol and also shows that a contract was. UK members will know of the BBC motoring series, Top Gear, with their 'tame racing driver', the mysterious Stig. ![]() There’s a large song library (although the more popular songs may require additional fees) and three payment structures to choose from monthly or annual subscriptions or a lifetime membership. There’s plenty of solid music theory in amongst the content, but the lesson plans are aimed at getting you playing songs quickly without getting too bogged down in theory initially. 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What's more, online lessons usually work out far cheaper than face-to-face lessons. They combine the best of both worlds – the freedom offered by the internet to learn at your own pace in your own space, with dedicated software providing the structured learning and educational gravitas of a real teacher. ![]() This is where the best online piano lessons services here come in. Plus, with so many to choose from, picking the right lessons can be a shot in the dark. As videos can be uploaded by anyone there’s no guarantee as to the accuracy of the videos, the quality of the teaching on offer can be extremely variable, and finding a sensible path through your learning journey can be tricky. While many budding pianists head straight for YouTube to find lessons - it’s free after all, we get it - the vast amount on offer can actually hinder your progress. 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Īdams is so bizarre that even the nonsensical stuff he says is funny as all hell. ![]() On several occasions, he poked fun at audience members: one guy most likely regretted whipping out his iPad to take a picture of Adams and another, I’m sure, thought twice about resting his hand on his chin. ![]() How about – I want to be his best friend! Ryan Adams has a unique sense of humour, and isn’t afraid to let it loose on stage. I don’t even know where to start Adams’ talent and devil-may-care attitude left me with a lot to discuss. Her music is mesmerizing and her voice is mysterious everything about her left me wanting more. Although her sound may not be for everyone, one listen is all you need to see how talented she is. Her sound is right up my alley: the darkness in the instrumentals along with the lightness of her voice is a juxtaposition I very much enjoy. The melodies are very raw and dark she jokingly noted “I sing really happy songs, here’s another uplifting one.” Although her voice is soft, it’s also clear and strong. Word to the wise: listening to her studio album on YouTube just does not do her justice. Not having heard of Elson, I turned to Google to see what she was all about. Elson’s tunes, however, are more melancholic with slower beats and an accompanying violinist and harpist to enhance the wistful feel. Despite their extremes in personality, the two artists share a common moodiness in their style. Her quiet demeanor and soft voice stood in stark contrast to Adams’ comically obnoxious behaviour. We close our podcast, as always, with the Flash Forward to the television we’re most anticipating in the upcoming week.Karen Elson, model-turned-rock star, was the incredible opener for Tuesday night’s concert. Robot repeat in this year’s race? How far will Stranger Things or This Is Us go? Will The Handmaid’s Tale ride a wave of political relevance and critical acclaim to overcome its late entry into the race? Will House of Cards overcome comparisons to the Trump administration to remain relevant in the Emmy race? We cover these topics and more with Awards Daily’s own Emmy expert Jalal Haddad. ![]() Unlike the Comedy races, throngs of new contenders threaten to take spots from perennial favorites. Who stands to benefit from the absence of Game of Thrones and Downton Abbey? Will Mr. This week, we’re wrapping things up with a new look at the 2017 Drama Emmy races. We’ve covered Limited Series and Comedy Series in two previous podcasts. This week at the Water Cooler, we’re completing our deep-dive into the top contenders in the three main Emmy races: Drama Series, Comedy Series, and Limited Series/TV Movie. Which series will fill slots left behind by Game of Thrones and Downton Abbey? Podcast: Play in new window | Download Jalal Haddad joins the Cooler gang to look at the 2017 Drama Emmy races. ![]() What’s a backend service?Ī backend solution is typically called Backend-as-a-service (BaaS). So while you’re developing new content, adding in new mechanics and responding to your community, who’s going to work on all the fiddly tasks? Well, that’s where a backend system comes in. It’s unlikely they’ll want to start from scratch. And make sure you’ve set up the tools to let people transfer their progress from one platform to another. But make sure you don’t overcommit too early. ![]() You’ll want to release your game on everything, it’s only natural. Once your game goes viral, you’ll soon have players demanding it on new platforms. And you’ll need to address them.īeing able to make changes on the go, without a huge update, makes it much easier to keep your game balanced while you’re in the spotlight. Even if these complaints are small, their voices are loud. People will complain about characters being overpowered, levels being too hard or bugs that realistically only happen if you’re trying to break the game. When you reach critical mass, you’ll find that you receive a lot of feedback around game mechanic balancing. Modding communities are fantastic at keeping a game alive. Let them share it in game and keep themselves busy. That way, you can make more accurate promises to your players, without needing to go into crunch mode.Įven better, give your players a way to add their own content. This not only gives you a slight reprieve, but it also gives you an idea on how long it takes to create new content. Have your next idea at least partly finished, ready to release – perhaps for the next major holiday event. Let your players know what’s on the horizon, how long it’s going to take and make sure to follow through.Ī good tactic is to have something prepared before you launch. You don’t need to drop a big update every week, but you do need to set a schedule. You need to understand how those costs will increase.ĭemand for a popular game will fizzle out if it’s not consistently fresh. If you suddenly need to switch on a dozen new servers across the world, it’s going to be expensive. Think about how you’ll cope with the cost, too. Make sure you have a way to scale your servers and cope with the pressure. If you have a multiplayer game, it’s even more vital that these servers stay active. Keep your servers onlineĪ sudden surge of players can tax even the most robust systems. Make sure you have the tools necessary to sort these things out. Your players might have problems accessing new content or want a refund. This is especially important if you have any in-game economy or items they can purchase. You need to make sure you’re responding to these messages and dealing with any issues. Some will be praising you, others will be complaining. ![]() People are going to reach out to you in every way possible. But here are the top things you’ll need to consider. This isn’t an exhaustive list, by any means. It’s a tough gig and one game can easily turn into an entire career.Īnd there are quite a few tasks you’ll need to take care of behind the scenes. The more players you have, the more pressure you’re under to improve the game, add new content, fix bugs and keep the game alive. With great success comes great responsibility. What happens when you get that surge of new players and become so popular that even non-gamers have heard about you? (The increased revenue doesn’t hurt, either.) But nobody really prepares you for success. ![]() The thrill of seeing people play it on the train, glowing reviews in gaming outlets, and your own section on Twitch. Every game developer hopes to see their game hit the top of the charts. ![]() Taking off, however, is a bit more unique, as the VTOL is made to rock back and forth to literally pick up momentum to launch upward. Eight drone-like rotors are positioned across two wings. Despite the design, BlackFly flies via a familiar method. Opener BlackFly OpenerĬoming from Canadian firm Opener, the BlackFly is a highly-distinctive VTOL that combines personal piloting with a wealth of automatic features, including auto-landing and automated return home functions, thus enabling flight without the need for formal licensing (a popular trend, as you may have noticed). Just two controls are in the aircraft: A joystick to control direction and a throttle control on the pilot’s door. Both have captured the American military’s attention. The initial version will be able to carry about 400 pounds of cargo, although a more heavy-duty version capable of carrying up to 650 pounds is currently in development. Unlike other VTOLs, it operates on gasoline, and a battery pack will provide an extra 10 minutes of flying time, if necessary. The aircraft has eight propellers and a top speed of 75mph. ![]() Digital Trends understands that SureFly’s development continues. It was developed by Workhorse, but the company sold its aviation division to Moog for $4 million in November 2019 after multimillion-dollar losses. ![]() The SureFly is a robust VTOL aimed at commercial operators and consumers looking for a durable, self-controlled flying experience. Volocopter showed off the 2X by taking it on a two-minute flight above Singapore in October 2019. It’s no wonder Volocopter is Dubai’s latest pick for its upcoming air taxi fleet (although city officials have dumped other prototypes in the past, so it’s not a guaranteed deal). Intel’s work on the project includes complex tech, such as four independent sensor units to control positioning, nine different electric battery packs with built-in redundancies, and even a parachute stowed on top of the vehicle in case something goes wrong. It has a flight time of 30 minutes and a range of 17 miles between charge centers. We’d say that the whole thing isn’t very practical, but the firm made a full-sized test model and ran it across the stage at CES 2018, thanks to a little sponsorship by Intel. Developed in Germany, it features 18 battery-powered rotors controlled via a single joystick. The Volocopter 2X’s design is ambitious - and it looks really cool. It will be able to fly over cities, according to TechCrunch, but there’s no telling when we’ll see it in action. The company is now focusing on a larger, winged aircraft named Heaviside with a 100-mile range and a 180mph top speed. We were looking forward to Kitty Hawk’s Flyer, and CEO Sebastian Thrun said it was “ as easy to use as playing Minecraft,” but the project was axed in June 2020 because the company learned what it needed from it. Airbus has flown about 50 test flights since, and it said it was on track for a 2020 debut, but its plans might have changed - we’re still waiting for an update on this project. ![]() However, it did this entirely with the autopilot technology. It wasn’t much - the 20-foot aircraft simply rose 16 feet into the air and stayed there for 53 seconds. In early 2018, the Vahana prototype had its first successful full-scale flight test. It’s also an ideal way to run a taxi service since the vehicles automatically return to centers for maintenance or take a different route based on current orders. It can save costs when it comes to hiring and training pilots (who typically expect a higher salary than a taxi driver), and software engineers already have plenty of experience creating autopilot systems for larger planes that can be applied to these VTOLs. There are a lot of advantages to the self-piloting model. Project Vahana, from Airbus, seeks to create an electric VTOL aircraft that is entirely self-piloted. It notably joined forces with organizations like Starburst, an aerospace accelerator, to help it reach its goal. This system requires retractable wheels and wings, along with a very efficient drivetrain.ĪeroMobil is funneling time and money into the development of an electric powertrain. Unlike true VTOLs, hybrid flying cars are designed to take off from a runway, like a plane, but also have the ability to morph into a car-like vehicle to drive on the road. It’s one of the more notable hybrid models in the works, and we’re not talking about a gasoline-electric powertrain. The company has plenty of concept art to show the car in its final form. Slovakia-based AeroMobil remains committed to releasing a functioning flying car it calls “a supercar with superpowers.” It’s on its fourth prototype, so you know it’s not joking.
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